[1][2][3][4], Sean Mununggurr is from Gapuwiyak in Eastern Arnhem Land and is a Gumatj dialect speaker, while John Sebastian Pilakui (Sebbie) and Nathan Daniels both hail from Bathurst Island in the Tiwi Islands. ( Log Out /  Even more significant, it aimed to be consultative and collaborative at every step – a joint effort between white filmmakers and black communities to tell a story those communities wanted told. © 2020 INFOMARK - Terminale infochiosc. =0)){ As chief protector of Aboriginals ... half-castes into the white community. WARNING: Aboriginal and Torres Strait Islander viewers are advised that the following program may contain images and/or audio of deceased persons, Burrundi Productions, The Australian Children's Television Foundation, Produced with the assistance of SBS Television and Online Australia, National Film and Sound Archive of Australia. To survive during their hard journey in the bush and the forest, they must use the ancient Aboriginal knowledge, Botj's street instinct, and the bonds of their friendship. TrackBack URI. Lorrpu, Botj and Milika are three Yolngu (Aboriginal) teenagers who once shared a childhood dream of becoming great hunters together. else if (! He sees another Indigenous painting and begins kicking it. CENTRU DE PRODUCȚIE The three boys determine to run away to Darwin, 500 kilometres away, in a stolen canoe. Botj, Lorrpu and Milika are three Yolngu teenagers from northeast Arnhem Land, who are about to become men. In communities where petrol sniffing is endemic, elders are concerned that there will be no-one to pass on this knowledge. Yolngu Boy – Characters Filed under: Uncategorized — namphanais10 @ 2:39 AM . He always worries about his friends and will do everthing for them. c) What do the clashes between the cultures do to the main characters…

Milika is not mature enough to decide which ways he should follow in the future. ‘Yolngu Boy’ is the film which describes the lives of adolescents in yolngu tribe. During initiation elders pass on knowledge about their country (homeland), enduring customs and Dreaming, all of which inform the individual’s sense of identity and belonging. Only Lorrpu is still closer to Aboriginal traditions and to their common dream. made by local film-maker Stephen Johnson, "Yolngu Boy" (pronounced "YOLNOO") is a fantastic effort by a first-time feature maker who struggled to get this made for 10 years. 2] YOLNGU BOY SYNOPSIS Caught in a collision between the modern world of rap, football, street cred and the oldest living culture on earth, Lorrpu, Botj and Milika are three Yolngu teenagers who once shared a childhood dream of becoming great hunters together. As he grows up, he becomes bad boy, he’s like an evil seed in his community and the environment around him after he gets back from his 6 months jail. Podului 46 Yolngu Boy shows the complexity of Aboriginal society for petrol sniffing, vandalism, violence, alcohol abuse and being in trouble with traditional and white law are strong features in the story as well. Some moments of the film remain murky and unclear – for example, is the journey to see Darwin or to escape the authorities? } Petrol sniffing is a major problem among young people in some Indigenous communities, particularly in remote and regional areas. One only has to consider the level of detail in the many references throughout the film to traditional objects, symbols, and totems. Lorrpu and Milika return to their original home and their old lives.
Set among the Yolngu community, located in north-east Arnhem Land, Yolngu Boy takes as its central theme the issue of identity for young adolescent Aboriginal men. At the introduction of the movie, he appears to be a young, innocent and kind little boy. But as teenagers they changed: Botj did bad things which landed him in jail one time, and Milika is more interested in being a good football player and in chicks. Fire quickly spreads through the centre. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. The students will watch the Documentary; God Grew Tired of Us, about the lives of the “Lost Boys of Sudan”. Want to share IMDb's rating on your own site? All Rights Reserved. RSS feed for comments on this post. This website uses cookies to improve your experience while you navigate through the website. Change ), You are commenting using your Google account. Pentru orice întrebare, te rugăm să ne contactezi la office@infomark.ro Write a 200-word synopsis (summary) of the plot. Travel back in time to check out the early roles of some of Hollywood's heavy hitters. The conflict between Indigenous and Western cultures is a central theme in the film, and Botj’s destruction of his totem implies that he is rejecting his Indigenous heritage. Muffin group, SEDIU SOCIAL His shirt sleeve, soaked in petrol, catches fire. He likes to show off, he usually shows off infront of the girls in football. var plugin = (navigator.mimeTypes && navigator.mimeTypes["application/x-shockwave-flash"]) ? The kinship bond between the three main characters ensures that though the characters may undertake a journey together, each destiny is unique in nature and outcome. Dârza, Crevedia The mix of rap and Indigenous music and sounds in the soundtrack represents the sometimes conflicting influences of the two cultures in Botj’s life. The resulting film is surprising on many counts. It follows three Yolngu teenagers as they make the transition from childhood to adulthood. [6][7], The film was mainly shot in Yirrkala over the course of seven weeks, beginning on 20 September 1999 and ending on 5 November 1999. That said, we have come a long way in the content and form of the stories we tell about Aboriginal Australians and from this point of view, Yolngu Boy deserves our support. As a result the film is as informative as it is entertaining. Tel: 0371 781 832 Education notes provided by The Learning Federation and Education Services Australia. Botj fears he may be turned over to the police, so he leaves the group and attempts to find his father. The Movies. Change ). He’s upset when his friends Lorrpu (John Sebastian Pilakui) and Milika (Nathan Daniels) are chosen for a men’s ceremony, and he is not. Contacteaza-neCONTACT the one criticism i have is the camera work which (particularly in the first half of the film) has way too much movement and is unnecessarily used when filming less than action. It’s visually stunning, making great use of the landscape to give a sense of the role that land plays in the Yolngu culture, but very young and contemporary in style – with a driving soundtrack, fast editing and a sense of fun. Johnson had connections with the Yolngu communities through his music clips for the band Yothu Yindi, but the process of getting appropriate permissions and agreement took several years. Despre noi Podului 46 The story is the best aboriginal content film i have seen and the three young men starring are excellent even though none have acted before, actually i think that is a huge plus. After committing a crime for which he is likely to be jailed, a Yolngu teenager convinces two of his childhood friends to join him on a journey from North East Arnhem Land to Darwin to seek help from a tribal leader. Australian Children's Television Foundation (english) [Australia], Australian Children's Television Foundation, The Best TV Shows About Being in Your 30s. Yolngu Boy is a 2001 Australian coming-of-age film directed by Stephen Johnson and starring Sean Mununggurr, John Sebastian Pilakui, and Nathan Daniels. Necessary cookies are absolutely essential for the website to function properly. This FAQ is empty. He trashes the women’s community centre, concentrating his anger on the paintings of the Yolngu’s totem animal, the crocodile. It is clear that Johnson and Anastassiades formed good relationships with traditional Aborigines in Arnhem Land. After inhaling petrol Botj staggers, hallucinates and becomes violent. Romania It has been argued that if petrol sniffing is to be eradicated, its root causes, which lie in wider issues of social dysfunction, need to be tackled. To survive during their hard journey in the bush and the forest, they must use the ancient Aboriginal knowledge, Botj's street instinct, and the bonds of their friendship. These two boys feel elsewhere world is more attracting. Baru is the primary totem or symbol of the Gumatj people, who are one of 16 clan groups in Yolngu society. He makes his way to the Community Centre, where he lights a smoke, but as he does this, the petrol ignites and the building is burnt down. In some cases people who have sniffed petrol have suffered serious burns or died when the petrol caught fire. Produse One only has to consider the level of detail in the many references throughout the film to traditional objects, symbols, and totems.

After the vandalism at the store, Dawu, the tribal leader, is considering whether Botj should be sent to prison again. The teenagers This use of omniscient point of view is used to give the ideas and attitudes of the two extremely different masculine characters in the novel. But as teenagers they changed: Botj did bad things ... 1 of 3 people found this review helpful. Add the first question. The dawn of the new century, the first 20 years. You also have the option to opt-out of these cookies. Audiences are urged to sympathise with Botj (Sean Mununggurr), the Indigenous youth who is struggling to find his place in the world, having been demoted to the status of boy until he proves himself worthy of becoming a man. He calms down and lights a cigarette. All Rights Reserved. He creates a rift between his friendship when he out of control in the convinent store. when used appropriately, and it certainly was at some times, it is a great effect....but not ALL the time. But things have changed and their paths are diverging. Therefore the three boys start to trek to Darwin to argue Botj's case with tribal leader Dawu. It follows three Yolngu teenagers as they make the transition from childhood to adulthood.
Set among the Yolngu community, located in north-east Arnhem Land, Yolngu Boy takes as its central theme the issue of identity for young adolescent Aboriginal men. We see Botj sniffing petrol. The three young actors give natural performances, and the story does not overly romanticise the culture. Its use leads to health, behavioural and social problems, including self-harming behaviour and suicide. There 3 main characters in the firm and their names are Lorrpu, Botj and Milika. Only initiated males can assume their adult role within the community, including getting married and carrying out ceremonial responsibilities. Str. He’s also smart, on their journey to Darwin, he coppies the way that the hunters in his tribe used to do when hunting, put white paint on his body and burn the field to scare the animals out of their hide out. It follows three Yolngu teenagers as they make the transition from childhood to adulthood. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. As engaging and wonderfully warm as some of the moments they create on the screen are (they have the most infectious smiles I have ever seen), these untrained actors are asked to do much in carrying the film as a whole.



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