When he was 14 he was performing in a school play when seen by a casting director from Ealing Studios, who recommended him for a role in Undercover (1943), a war film about the Yugoslav guerrillas in Serbia. "Joi Signs for 'Heart' Role" Martin, Betty. Scheuer, Philip K. "Looking at Hollywood: Here's the Inside Story—How 'Zulu' Was Made" Hopper, Hedda. Plans to make a costume drama called Sunblack, directed by Gordon Flemyng, did not come to fruition. David Wishart, Other Works Baker played the lead part of Lieutenant John Chard VC in what remains his best-remembered role. Stanley Baker was unusual star material to emerge during the Fifties - when impossibly handsome and engagingly romantic leading men were almost de rigueur. Baker was a detective in Violent Playground (1958), a drama about juvenile delinquency from the director-producer team Basil Dearden and Michael Relph. For a time there was a distillation of Baker's screen persona in a series of roles as stern and uncompromising policemen - in Violent Playground (1958), Chance Meeting (1959), and Hell Is a City (1960). [38] Baker, Deeley, and Spikings were also part of a consortium that bought British Lion Films and Shepperton Studios, selling Alembic House to finance it. "[52] Baker was heavily criticised for earning vast sums of money despite propounding left-wing politics, sending all his children to English public schools, and owning a large holiday home in Spain. Many of his friends believed Baker had damaged his acting career through his attempts to transform himself into a businessman. Stanley Baker Height When was Stanley Baker born? (1969). It was a solid success in Britain and launched the Hollywood career of director Peter Yates. [28] He made a final film with Losey, Accident (1967), cast against type as an academic. Baker grew up a self-proclaimed "wild kid" interested in only "football and boxing". For all time, at the moment, 2020 year, Stanley Baker earned $91 Million. Aldrich asked him to play another villain role, in the Biblical epic Sodom and Gomorrah (1962). He was reunited with Losey for The Criminal (1960), playing an ex-con, and Baker's favourite role.[21]. When Baker inaugurated his own film production company - it was Endfield he commissioned to write and direct both Zulu (1964) and Sands of the Kalahari (1965), with Baker allotting himself the downbeat roles of the martinet officer John Chard in Zulu and the reluctant hero Mike Bain in The Sands Of The Kalahari.Baker must have felt more assured in disenchanted roles - as further films from Baker's own stable still promoted the actor in either criminal or villainous mode - as gangster Paul Clifton in Robbery (1967) and the corrupt thief-taker Jonathan Wild in Where's Jack? In the words of David Thomson: Until the early 1960s, Baker was the only male lead in the British cinema who managed to suggest contempt, aggression and the working class. Most of Baker's film roles until this stage had been playing villains. His screen persona was taciturn, even surly, and the young actor displayed a predilection for introspection and blunt speaking, and was almost wilfully unromantic. Shortly before his death he was planning on producing a prequel to Zulu, Zulu Dawn. [47], On 27 May 1976, it was announced that he had been awarded a knighthood in the 1976 Prime Minister's Resignation Honours,[54] although he did not live to be invested in person at Buckingham Palace. Following this he was meant to make Tread Softly Stranger with Diana Dors but George Baker was cast instead. His father was a coal miner who lost a leg in a pit accident but continued working as a lift operator at the mine until his death. [11] He had a small role in a British-US co-production for Warwick Films, The Red Beret (1953), with Alan Ladd, another big hit in Britain.

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